KodakRoyal Gold 200
Kodak claims superb flesh tones; independent descriptions are scarce
- Manufacturer
- Eastman Kodak
- ISO
- 200
- Type
- Color negative
- Process
- C-41
- Formats
- 135
- Status
- Discontinued (2004)
- Datasheet
- E-7006
- Preset
- GA — 052 / P
Status checked [2]
Character
- Contrast
- Kodak: similar to Royal Gold 100
- Grain
- Print Grain Index 32 (35 mm, 4×6 print)
- Latitude
- Good prints from negatives exposed at ISO 25 to 800 (Kodak)
- Best for
- High-quality pictures and enlargements of people (Kodak)
Kodak Royal Gold 200 was an ISO 200 color negative film for 35 mm cameras and C-41 processing, sold in the 1990s and early 2000s. Kodak’s datasheet presents it as a finer-grained step up in speed from Royal Gold 100, made for pictures and enlargements of people [1]. It has been out of production since about 2004 [2], and independent descriptions of it are scarce.
Look and color
- Kodak’s claims are short. The datasheet promises “superb flesh-tone reproduction” and “excellent sharpness, contrast, and color similar to KODAK ROYAL GOLD 100 Film” [1]. It gives no saturation or hue measurement.
- A step up from Gold. Fuji X Weekly describes the Royal Gold line as a “step up” from Kodak Gold, with finer grain and more vibrant colors. That article is about Royal Gold 400, not 200 [5].
- The 1990s print look. The same article’s simulation recipe aims at the “memory color” look of prints from the 1990s and early 2000s. Its author warns that the look may come from mishandled film, so it is not a reliable picture of a normal roll [5].
- Similar to other films, reportedly. Japan Camera Hunter notes that some people believe Elite Color 200 is the same as or very close to Royal Supra 200 and Royal Gold 200, and says this cannot be confirmed [2]. We found no confirmation elsewhere.
- Thin sources. The color description above rests on one manufacturer datasheet and one article about a sibling film. Treat warmth and saturation as unverified.
Tonality
- Curve. On the datasheet’s characteristic curves, the three layers run roughly parallel: a soft toe between about −3.0 and −2.0 log lux-seconds, then a nearly straight line with no visible shoulder in the plotted range. This is our reading of the graph, so it is approximate [1].
- Latitude. Kodak says the film gives good prints from negatives exposed at speeds from ISO 25 to ISO 800, that is, from three stops over to two stops under the ISO 200 rating [1].
- Contrast is only described as similar to Royal Gold 100 [1].
- Long and short exposures: no filter or exposure correction from 1/1000 s to 10 s [1].
- Expired rolls. In a Flickr thread about rolls that expired in 1997, posters said negative film takes overexposure well and suggested rating Royal Gold 200 at about 125 or 100 [7]. These are forum opinions.
Grain and sharpness
Kodak rates grain with the Print Grain Index (PGI), a perceptual scale for prints viewed at 14 inches. 25 is the approximate visibility threshold and 4 units make one just-noticeable difference. It cannot be compared with rms granularity [1]. For a 4×6 print from a 35 mm negative (4.4× magnification), Royal Gold 200 scores 32, and Kodak calls it its “finest grain 200-speed color negative film” [1].
| Film (35 mm negative, 4×6 print) | Print Grain Index |
|---|---|
| Kodak Ektar 100 | Under 25 [10] |
| Kodak Portra 160 | 28 [11] |
| Kodak Royal Gold 200 | 32 [1] |
| Kodak Portra 400 | 37 [9] |
| Kodak Gold 200 | 44 [8] |
- The datasheets come from different years (2002 for Royal Gold 200, 2016 to 2025 for the others), so treat the comparison as indicative.
- Kodak rates both sharpness and degree of enlargement “Extremely High” [1]. These are descriptors, not measurements: the datasheet gives no resolving power or MTF curve.
Spectral sensitivity
The blue-sensitive layer stays on a broad plateau from about 415 to 470 nm, the green-sensitive layer peaks near 545 nm and the red-sensitive layer near 620 nm, with a shoulder that runs on to about 695 nm [1]. Nothing in the curves justifies a specific hue shift. The Grain Archive style is tuned from the datasheet and the sources above; it is not computed from these curves.
Datasheet digest
| Item | Value | Source |
|---|---|---|
| ISO speed | 200 in daylight or with electronic flash; 64 under 3400 K photolamps with an 80B filter; 50 under 3200 K tungsten with an 80A filter | [1] |
| Print Grain Index, 35 mm | 32 (4×6 print, 4.4× magnification) | [1] |
| Grain visibility threshold | PGI 25; 4 units = one just-noticeable difference | [1] |
| Sharpness and degree of enlargement | Both rated 'Extremely High' (qualitative; no resolving power figure) | [1] |
| Exposure latitude | Good prints from negatives exposed at ISO 25 to ISO 800 | [1] |
| Characteristic curve | Soft toe from about −3.0 to −2.0 log lux-seconds, then a nearly straight line with no visible shoulder in the plotted range (read from the graph, approximate) | [1] |
| Reciprocity | No correction from 1/1000 s to 10 s | [1] |
| Process | C-41 (Kodak Flexicolor chemicals) | [1] |
Names, status and history
- 1994. Wikipedia says Kodak discontinued the original Ektar in 1994 and that the Royal Gold line replaced it [3]. Kodak described the line as a balance of fine grain, sharpness, color reproduction and contrast [4].
- 1997. A collector’s listing shows a 36-exposure Royal Gold box from 1997, marked “200 speed with T-grain” and to be developed before June 1999 [6].
- 2002 and 2003. The datasheet is dated March 2002 and says the film brings the technology of Kodak Advantix films to 35 mm; its last page carries a “Revised 5-03” mark [1].
- 2004. Japan Camera Hunter writes that Royal Gold 200 “replaced the original Ektar and ended in 2004” [2]. This is the only end date we found, and we found no Kodak page for the film.
- A datasheet error. The feature table calls the film “twice the film speed of KODAK ROYAL GOLD 200 Film”, which is impossible; the text above it says it adds one stop to Royal Gold 100, and we read the table as a typo for Royal Gold 100 [1].
- Not the same as Gold 200. Kodak Gold 200 is a separate consumer film that remains on sale [8].
Alternatives
- GA — 008 Kodak Gold 200
Same speed, Kodak's consumer line and still on sale: coarser grain, PGI 44 against 32 for a 4×6 print from 35 mm
- GA — 005 Kodak Portra 160
Current professional film at ISO 160, with slightly finer grain: PGI 28 against 32
- GA — 004 Kodak Portra 400
One stop faster, with more grain (PGI 37 against 32) and a professional-portrait positioning like Royal Gold 200's
- GA — 007 Kodak Ektar 100
Current Kodak color negative with grain below the visibility threshold at 4×6, but one stop slower and sold on high saturation
Get the look in darktable
The GA — 052 / P preset, inspired by Kodak Royal Gold 200, is a darktable 5.6 style of 5 native modules, with no LUT. It sits on top of your own exposure and tone mapping.
| Zone | Metric | Before → after |
|---|---|---|
| sky | C (chroma) | 27.5 → 25.9 |
| sea | C (chroma) | 22.2 → 20.9 |
| skin | L (lightness) | 78.2 → 78.6 |
Settings, all measurements and limits of the Kodak Royal Gold 200 preset
GA — 052 / P · darktable preset
Royal Gold 200
for darktable
See real photos
Scans of real Kodak Royal Gold 200 film, published by others:
Questions about Kodak Royal Gold 200
Is Kodak Royal Gold 200 discontinued?
Yes. Japan Camera Hunter writes that the film ended in 2004; we found no Kodak page giving an official date, and Kodak's own datasheet copy is dated March 2002 and revised in May 2003. Kodak Gold 200 is a different film that is still on sale. [1] [2] [8]
What is the difference between Royal Gold 200 and Gold 200?
Kodak's datasheets rate the grain of a 4×6 print from 35 mm at Print Grain Index 32 for Royal Gold 200 and 44 for Gold 200, so Royal Gold is finer. Fuji X Weekly describes the Royal Gold line as a step up from Gold, with finer grain and more vibrant colors. [1] [5] [8]
What is the grain of Royal Gold 200 like?
Kodak calls it its finest-grain 200-speed color negative film. A 4×6 print from 35 mm scores a Print Grain Index of 32, above the visibility threshold of 25 but below Portra 400 (37) and Gold 200 (44). The datasheet lists only this one print size. [1] [8] [9]
Which white balance and ISO for Royal Gold 200 under tungsten light?
The film is balanced for daylight and electronic flash. For best results without special printing, Kodak's datasheet gives a Wratten 80A filter at ISO 50 under 3200 K tungsten, and an 80B filter at ISO 64 under 3400 K photolamps. Without a filter the rating is ISO 200. [1]
Can expired Royal Gold 200 still be shot?
It can, with lower speed. In a Flickr thread about rolls that expired in 1997, posters suggested rating Royal Gold 200 at about 125 or 100, and said unrefrigerated film loses roughly one stop per decade. These are forum opinions, not Kodak guidance, and results vary with storage. [7]
Sources
- 1DS Kodak Royal Gold 200 Film, technical data E-7006 (March 2002, revised 5-03), copy hosted by 125px Accessed September 30, 2026.
- 2C Japan Camera Hunter: Film Review, Kodak Elite Color 200 (August 2021) Accessed September 30, 2026.
- 3C Wikipedia: Ektar Accessed September 30, 2026.
- 4C Film Photography Project Europe: Kodak Royal Gold family Accessed September 30, 2026.
- 5C Fuji X Weekly: Kodak Royal Gold 400 film simulation recipe (March 6, 2024) Accessed September 30, 2026.
- 6C Collectors Weekly: 1997 Kodak Royal Gold film, unused Accessed September 30, 2026.
- 7C Flickr group discussion: shooting Royal Gold 200 and Gold 200 that expired in 1997 Accessed September 30, 2026.
- 8DS Kodak Gold 200, technical data E-7022 (June 2023)
- 9DS Kodak Professional Portra 400, technical data E-4050 (January 2025)
- 10DS Kodak Professional Ektar 100, technical data E-4046 (January 2025)
- 11DS Kodak Professional Portra 160, technical data E-4051 (January 2025)
DS: datasheet · C: review or community