Film Library
Each film has its own sheet: what the manufacturer’s datasheet says, the spectral sensitivity when it is published, what reviews say about the look, its production status and other names, and the closest darktable preset.
| Code | Film | Brand | Type | ISO | Status | Grain | Preset |
|---|---|---|---|---|---|---|---|
| GA — 063 | Agfa CT Precisa 100 | Agfa | Slide | 100 | Discontinued (2018) | Diffuse RMS granularity 10.0 (brochure) | GA — 063 / P: Agfa CT Precisa 100 preset |
| GA — 058 | Agfa Ultra 100 | Agfa | Color negative | 100 | Discontinued (2005) | RMS granularity 3.8; reviews disagree on how visible it is | GA — 058 / P: Agfa Ultra 100 preset |
| GA — 056 | Agfa Vista 200 also AgfaPhoto Vista Plus 200 | Agfa | Color negative | 200 | Discontinued (2018) | RMS granularity 4.3 (Agfa, 2003) | GA — 056 / P: Agfa Vista 200 preset |
| GA — 027 | CineStill 400D | CineStill | Cinema | 400 | In production | No figure published; most reviews call it very fine for ISO 400 | GA — 027 / P: CineStill 400D preset |
| GA — 012 | CineStill 800T | CineStill | Cinema | 800 | In production | No figure published; reviews range from 'the finest-grained ISO 800 film' to 'a lot more grain than I was expecting' | GA — 012 / P: CineStill 800T preset |
| GA — 024 | Fomapan 100 Classic | Foma | Black and white | 100 | In production | Diffuse RMS granularity 13.5 (Microphen, datasheet) | GA — 024 / P: Fomapan 100 Classic preset |
| GA — 048 | Fomapan 200 Creative | Foma | Black and white | 200 | In production | Diffuse RMS granularity 14.0 (Microphen, datasheet); reviews disagree on how visible it is | GA — 048 / P: Fomapan 200 Creative preset |
| GA — 045 | Fomapan 400 Action | Foma | Black and white | 400 | In production | Diffuse RMS granularity 17.5 (Microphen, datasheet) | GA — 045 / P: Fomapan 400 Action preset |
| GA — 028 | Fujifilm 400 | Fujifilm | Color negative | 400 | In production | No figure published; 'fine grain for a high-speed film' (Fujifilm) | None yet |
| GA — 016 | Fujifilm Astia 100F | Fujifilm | Slide | 100 | Discontinued (2012) | Diffuse RMS granularity 7 (datasheet) | GA — 016 / P: Fujifilm Astia 100F preset |
| GA — 065 | Fujifilm Instax Mini | Fujifilm | Instant | 800 | In production | No visible grain, but soft | GA — 065 / P: Fujifilm Instax Mini preset |
| GA — 049 | Fujifilm Natura 1600 also Fujicolor Superia 1600 | Fujifilm | Color negative | 1600 | Discontinued (2017) | Diffuse RMS granularity 7 (datasheet); reviewers see it mostly in the shadows | GA — 049 / P: Fujifilm Natura 1600 preset |
| GA — 023 | Fujifilm Neopan 100 Acros II | Fujifilm | Black and white | 100 | In production | Diffuse RMS granularity 7 (Microfine) | GA — 023 / P: Fujifilm Neopan 100 Acros II preset |
| GA — 050 | Fujifilm Pro 160NS also Fujicolor Pro 160S | Fujifilm | Color negative | 160 | Discontinued (2021) | Diffuse RMS granularity 3 (Fujifilm's scale) | GA — 050 / P: Fujifilm Pro 160NS preset |
| GA — 002 | Fujifilm Pro 400H also Fujicolor NPH 400 | Fujifilm | Color negative | 400 | Discontinued (2021) | Diffuse RMS granularity 4 (Fujifilm's scale) | GA — 002 / P: Fujifilm Pro 400H preset |
| GA — 015 | Fujifilm Provia 100F | Fujifilm | Slide | 100 | In production | Diffuse RMS granularity 8 (datasheet) | GA — 015 / P: Fujifilm Provia 100F preset |
| GA — 064 | Fujifilm Provia 400X | Fujifilm | Slide | 400 | Discontinued (2013) | Diffuse RMS granularity 11 (datasheet) | GA — 064 / P: Fujifilm Provia 400X preset |
| GA — 034 | Fujifilm Reala 100 also Fujicolor Superia Reala | Fujifilm | Color negative | 100 | Discontinued (2013) | Diffuse RMS granularity 4 (Fujifilm's scale) | GA — 034 / P: Fujifilm Reala 100 preset |
| GA — 051 | Fujifilm Superia 200 | Fujifilm | Color negative | 200 | Discontinued (2017) | Diffuse RMS granularity 4 (Fujifilm's scale) | GA — 051 / P: Fujifilm Superia 200 preset |
| GA — 010 | Fujifilm Superia X-TRA 400 also Fujicolor Press 400 | Fujifilm | Color negative | 400 | Discontinued (2024) | Diffuse RMS granularity 4 (Fujifilm's scale) | GA — 010 / P: Fujifilm Superia X-TRA 400 preset |
| GA — 038 | Fujifilm Velvia 100 | Fujifilm | Slide | 100 | In production | Diffuse RMS granularity 8 (datasheet) | GA — 038 / P: Fujifilm Velvia 100 preset |
| GA — 014 | Fujifilm Velvia 50 | Fujifilm | Slide | 50 | In production | Diffuse RMS granularity 9 (datasheet) | GA — 014 / P: Fujifilm Velvia 50 preset |
| GA — 011 | Harman Phoenix 200 also Phoenix 125 | Harman | Color negative | 200 | In production | 'Strong visible grain'; no RMS or PGI published | GA — 011 / P: Harman Phoenix 200 preset |
| GA — 054 | Harman Phoenix II 200 | Harman | Color negative | 200 | New (2025) | Finer than Phoenix (Harman), yet 'crunchy'; no RMS or PGI published | GA — 054 / P: Harman Phoenix II 200 preset |
| GA — 059 | Harman Red 125 | Harman | Effects | 125 | New (2025) | No RMS or grain index published; finer when overexposed, coarser when underexposed (Harman) | GA — 059 / P: Harman Red 125 preset |
| GA — 022 | Ilford Delta 3200 Professional | Ilford | Black and white | 1000 | In production | No RMS published; heavy but 'oddly smooth' according to reviews | GA — 022 / P: Ilford Delta 3200 Professional preset |
| GA — 042 | Ilford Delta 400 Professional | Ilford | Black and white | 400 | In production | No RMS published; 'fine grain' (datasheet), finer than HP5 Plus according to reviews | GA — 042 / P: Ilford Delta 400 Professional preset |
| GA — 020 | Ilford FP4 Plus | Ilford | Black and white | 125 | In production | No RMS for the still film; RMS 10 for its motion-picture version | GA — 020 / P: Ilford FP4 Plus preset |
| GA — 001 | Ilford HP5 Plus | Ilford | Black and white | 400 | In production | No RMS figure published; reviews disagree on Tri-X vs HP5 | GA — 001 / P: Ilford HP5 Plus preset |
| GA — 021 | Ilford Pan F Plus 50 | Ilford | Black and white | 50 | In production | No RMS published; 'extremely fine' (Ilford) | GA — 021 / P: Ilford Pan F Plus 50 preset |
| GA — 043 | Ilford XP2 Super | Ilford | Black and white | 400 | In production | 'Fine grain' (datasheet); no RMS or grain index published | GA — 043 / P: Ilford XP2 Super preset |
| GA — 044 | Kentmere Pan 400 | Kentmere | Black and white | 400 | In production | No RMS figure published; reviews split between fine and pronounced | GA — 044 / P: Kentmere Pan 400 preset |
| GA — 061 | Kodak Aerochrome III 1443 | Kodak | Effects | 40 (aerial speed) | Discontinued (2009) | rms granularity 23 (datasheet); 'fine grain' per Kodak and Emulsive | GA — 061 / P: Kodak Aerochrome III 1443 preset |
| GA — 029 | Kodak ColorPlus 200 also Kodacolor 200 | Kodak | Color negative | 200 | In production | No official figure; 'identical' to Gold 200 (PGI 44) in one test | GA — 029 / P: Kodak ColorPlus 200 preset |
| GA — 046 | Kodak Double-X 5222 also CineStill BwXX | Kodak | Black and white | 250 EI 250 daylight, 200 tungsten | In production | Diffuse RMS granularity 14 (datasheet, D-96) | GA — 046 / P: Kodak Double-X 5222 preset |
| GA — 017 | Kodak Ektachrome E100 | Kodak | Slide | 100 | In production | Diffuse RMS granularity 8 (datasheet) | GA — 017 / P: Kodak Ektachrome E100 preset |
| GA — 062 | Kodak Ektachrome E100VS | Kodak | Slide | 100 | Discontinued (2012) | Diffuse RMS granularity 11, rated "very fine" (datasheet) | GA — 062 / P: Kodak Ektachrome E100VS preset |
| GA — 007 | Kodak Ektar 100 | Kodak | Color negative | 100 | In production | Print Grain Index under 25 (35 mm, 4×6 print): below the visibility threshold | GA — 007 / P: Kodak Ektar 100 preset |
| GA — 008 | Kodak Gold 200 | Kodak | Color negative | 200 | In production | Print Grain Index 44 (35 mm, 4×6 print) | GA — 008 / P: Kodak Gold 200 preset |
| GA — 018 | Kodak Kodachrome 64 | Kodak | Slide | 64 | Discontinued (2009) | Diffuse RMS granularity 10 (datasheet) | GA — 018 / P: Kodak Kodachrome 64 preset |
| GA — 067 | Kodak Plus-X 125 | Kodak | Black and white | 125 | Discontinued (2011) | Diffuse RMS granularity 10, rated 'extremely fine' (datasheet) | GA — 067 / P: Kodak Plus-X 125 preset |
| GA — 005 | Kodak Portra 160 also Ektacolor Pro 160 | Kodak | Color negative | 160 | In production | Print Grain Index 28 (35 mm, 4×6 print) | GA — 005 / P: Kodak Portra 160 preset |
| GA — 004 | Kodak Portra 400 also Ektacolor Pro 400 | Kodak | Color negative | 400 | In production | Print Grain Index 37 (35 mm, 4×6 print) | GA — 004 / P: Kodak Portra 400 preset |
| GA — 006 | Kodak Portra 800 also Ektacolor Pro 800 | Kodak | Color negative | 800 | In production | Print Grain Index 48 (35 mm, 4×6 print) | GA — 006 / P: Kodak Portra 800 preset |
| GA — 053 | Kodak Pro Image 100 also Kodacolor 100 | Kodak | Color negative | 100 | In production | Print Grain Index 43 in one review; no official figure | GA — 053 / P: Kodak Pro Image 100 preset |
| GA — 052 | Kodak Royal Gold 200 | Kodak | Color negative | 200 | Discontinued (2004) | Print Grain Index 32 (35 mm, 4×6 print) | GA — 052 / P: Kodak Royal Gold 200 preset |
| GA — 047 | Kodak T-Max 100 also Ektapan 100 | Kodak | Black and white | 100 | In production | Diffuse RMS granularity 8 (datasheet) | GA — 047 / P: Kodak T-Max 100 preset |
| GA — 019 | Kodak T-Max 400 also Ektapan 400 | Kodak | Black and white | 400 | In production | Diffuse RMS granularity 10 (datasheet) | GA — 019 / P: Kodak T-Max 400 preset |
| GA — 003 | Kodak Tri-X 400 | Kodak | Black and white | 400 | In production | Diffuse RMS granularity 17 (datasheet) | GA — 003 / P: Kodak Tri-X 400 presetFree |
| GA — 009 | Kodak UltraMax 400 | Kodak | Color negative | 400 | In production | Print Grain Index 46 (35 mm, 4×6 print) | GA — 009 / P: Kodak UltraMax 400 preset |
| GA — 033 | Kodak Verita 200D | Kodak | Cinema | 200 | New (2026) | Kodak: 'exceptionally low'; the ASC article says it is visible on screen | GA — 033 / P: Kodak Verita 200D preset |
| GA — 032 | Kodak Vision3 200T also Silbersalz35 200T, Flic Film Cine Colour 200T | Kodak | Cinema | 200 | In production | Kodak: reduced grain in shadows; reviews disagree | GA — 032 / P: Kodak Vision3 200T preset |
| GA — 013 | Kodak Vision3 250D also Silbersalz35 250D, Reflx Lab 320D, Candido 400 | Kodak | Cinema | 250 | In production | Kodak: 'exceptionally low'; reviews disagree | GA — 013 / P: Kodak Vision3 250D preset |
| GA — 030 | Kodak Vision3 500T also Silbersalz35 500T, Reflx Lab 800 (formerly Reflx Lab 800T), Candido 800 | Kodak | Cinema | 500 | In production | Kodak: 'exceptionally low'; reviews disagree | GA — 030 / P: Kodak Vision3 500T preset |
| GA — 031 | Kodak Vision3 50D also CineStill 50D | Kodak | Cinema | 50 | In production | Kodak: its finest-grain motion picture film | GA — 031 / P: Kodak Vision3 50D preset |
| GA — 057 | Konica Centuria 400 | Konica | Color negative | 400 | Discontinued (2007) | Diffuse RMS granularity 4 (Super 400 datasheet); reviews call it visible | GA — 057 / P: Konica Centuria 400 preset |
| GA — 041 | LomoChrome Color '92 | Lomography | Effects | 400 | In production | Heavy for ISO 400: comparable to LomoChrome Metropolis (Analog.cafe) | GA — 041 / P: LomoChrome Color '92 preset |
| GA — 040 | LomoChrome Metropolis | Lomography | Effects | 100-400 | In production | Guide says 'fine cine-style'; three reviewers find it coarse, like ISO 400 black and white | GA — 040 / P: LomoChrome Metropolis preset |
| GA — 026 | LomoChrome Purple | Lomography | Effects | 100-400 | In production | Visible, like a typical ISO 400 color film (Analog.cafe); stronger in the shadows | GA — 026 / P: LomoChrome Purple preset |
| GA — 039 | LomoChrome Turquoise | Lomography | Effects | 100-400 | In production | Sharp, noticeable at ISO 400; no granularity figure published | GA — 039 / P: LomoChrome Turquoise preset |
| GA — 037 | Lomography Color Negative 400 | Lomography | Color negative | 400 | In production | Visible; no manufacturer figure | GA — 037 / P: Lomography Color Negative 400 preset |
| GA — 036 | Lucky C200 | Lucky | Color negative | 200 | New (2025) | Grainier than Kodak ISO 200 films, finer than Harman Phoenix (Analog.cafe); no figures published | GA — 036 / P: Lucky C200 preset |
| GA — 055 | ORWO Wolfen NC200 also Optik Oldschool OptiColour 200, KONO! Color 200 | ORWO | Color negative | 200 | New (2025) | Visible to coarse in 35 mm, finer in 120; no measured value | GA — 055 / P: ORWO Wolfen NC200 preset |
| GA — 035 | ORWO Wolfen NC500 | ORWO | Color negative | 400 | New (2022) | Coarse, described as the grainiest new color film by one reviewer; no measured value | GA — 035 / P: ORWO Wolfen NC500 preset |
| GA — 066 | Polaroid B&W 600 / i-Type | Polaroid | Instant | 640 | In production | Virtually grain-free | GA — 066 / P: Polaroid B&W 600 / i-Type preset |
| GA — 025 | Polaroid Color 600 / i-Type | Polaroid | Instant | 640 | In production | Virtually grainless, but soft | GA — 025 / P: Polaroid Color 600 / i-Type preset |
| GA — 060 | Redscale XR 50-200 | Lomography | Effects | 50-200 | In production | 'Small but noticeable' on underexposed frames (Farace); prominent in 35 mm at night (35mmc) | GA — 060 / P: Redscale XR 50-200 preset |