Color negative films
Color negative films are processed in C-41 chemistry and give an orange-masked negative, which is then printed or scanned. Each page below gathers the manufacturer’s datasheet figures, the spectral sensitivity when it is published, what reviews say about the look, and the closest Grain Archive style for darktable.
| Code | Film | Brand | Type | ISO | Status | Grain | Preset |
|---|---|---|---|---|---|---|---|
| GA — 058 | Agfa Ultra 100 | Agfa | Color negative | 100 | Discontinued (2005) | RMS granularity 3.8; reviews disagree on how visible it is | GA — 058 / P: Agfa Ultra 100 preset |
| GA — 056 | Agfa Vista 200 also AgfaPhoto Vista Plus 200 | Agfa | Color negative | 200 | Discontinued (2018) | RMS granularity 4.3 (Agfa, 2003) | GA — 056 / P: Agfa Vista 200 preset |
| GA — 028 | Fujifilm 400 | Fujifilm | Color negative | 400 | In production | No figure published; 'fine grain for a high-speed film' (Fujifilm) | None yet |
| GA — 049 | Fujifilm Natura 1600 also Fujicolor Superia 1600 | Fujifilm | Color negative | 1600 | Discontinued (2017) | Diffuse RMS granularity 7 (datasheet); reviewers see it mostly in the shadows | GA — 049 / P: Fujifilm Natura 1600 preset |
| GA — 050 | Fujifilm Pro 160NS also Fujicolor Pro 160S | Fujifilm | Color negative | 160 | Discontinued (2021) | Diffuse RMS granularity 3 (Fujifilm's scale) | GA — 050 / P: Fujifilm Pro 160NS preset |
| GA — 002 | Fujifilm Pro 400H also Fujicolor NPH 400 | Fujifilm | Color negative | 400 | Discontinued (2021) | Diffuse RMS granularity 4 (Fujifilm's scale) | GA — 002 / P: Fujifilm Pro 400H preset |
| GA — 034 | Fujifilm Reala 100 also Fujicolor Superia Reala | Fujifilm | Color negative | 100 | Discontinued (2013) | Diffuse RMS granularity 4 (Fujifilm's scale) | GA — 034 / P: Fujifilm Reala 100 preset |
| GA — 051 | Fujifilm Superia 200 | Fujifilm | Color negative | 200 | Discontinued (2017) | Diffuse RMS granularity 4 (Fujifilm's scale) | GA — 051 / P: Fujifilm Superia 200 preset |
| GA — 010 | Fujifilm Superia X-TRA 400 also Fujicolor Press 400 | Fujifilm | Color negative | 400 | Discontinued (2024) | Diffuse RMS granularity 4 (Fujifilm's scale) | GA — 010 / P: Fujifilm Superia X-TRA 400 preset |
| GA — 011 | Harman Phoenix 200 also Phoenix 125 | Harman | Color negative | 200 | In production | 'Strong visible grain'; no RMS or PGI published | GA — 011 / P: Harman Phoenix 200 preset |
| GA — 054 | Harman Phoenix II 200 | Harman | Color negative | 200 | New (2025) | Finer than Phoenix (Harman), yet 'crunchy'; no RMS or PGI published | GA — 054 / P: Harman Phoenix II 200 preset |
| GA — 029 | Kodak ColorPlus 200 also Kodacolor 200 | Kodak | Color negative | 200 | In production | No official figure; 'identical' to Gold 200 (PGI 44) in one test | GA — 029 / P: Kodak ColorPlus 200 preset |
| GA — 007 | Kodak Ektar 100 | Kodak | Color negative | 100 | In production | Print Grain Index under 25 (35 mm, 4×6 print): below the visibility threshold | GA — 007 / P: Kodak Ektar 100 preset |
| GA — 008 | Kodak Gold 200 | Kodak | Color negative | 200 | In production | Print Grain Index 44 (35 mm, 4×6 print) | GA — 008 / P: Kodak Gold 200 preset |
| GA — 005 | Kodak Portra 160 also Ektacolor Pro 160 | Kodak | Color negative | 160 | In production | Print Grain Index 28 (35 mm, 4×6 print) | GA — 005 / P: Kodak Portra 160 preset |
| GA — 004 | Kodak Portra 400 also Ektacolor Pro 400 | Kodak | Color negative | 400 | In production | Print Grain Index 37 (35 mm, 4×6 print) | GA — 004 / P: Kodak Portra 400 preset |
| GA — 006 | Kodak Portra 800 also Ektacolor Pro 800 | Kodak | Color negative | 800 | In production | Print Grain Index 48 (35 mm, 4×6 print) | GA — 006 / P: Kodak Portra 800 preset |
| GA — 053 | Kodak Pro Image 100 also Kodacolor 100 | Kodak | Color negative | 100 | In production | Print Grain Index 43 in one review; no official figure | GA — 053 / P: Kodak Pro Image 100 preset |
| GA — 052 | Kodak Royal Gold 200 | Kodak | Color negative | 200 | Discontinued (2004) | Print Grain Index 32 (35 mm, 4×6 print) | GA — 052 / P: Kodak Royal Gold 200 preset |
| GA — 009 | Kodak UltraMax 400 | Kodak | Color negative | 400 | In production | Print Grain Index 46 (35 mm, 4×6 print) | GA — 009 / P: Kodak UltraMax 400 preset |
| GA — 057 | Konica Centuria 400 | Konica | Color negative | 400 | Discontinued (2007) | Diffuse RMS granularity 4 (Super 400 datasheet); reviews call it visible | GA — 057 / P: Konica Centuria 400 preset |
| GA — 037 | Lomography Color Negative 400 | Lomography | Color negative | 400 | In production | Visible; no manufacturer figure | GA — 037 / P: Lomography Color Negative 400 preset |
| GA — 036 | Lucky C200 | Lucky | Color negative | 200 | New (2025) | Grainier than Kodak ISO 200 films, finer than Harman Phoenix (Analog.cafe); no figures published | GA — 036 / P: Lucky C200 preset |
| GA — 055 | ORWO Wolfen NC200 also Optik Oldschool OptiColour 200, KONO! Color 200 | ORWO | Color negative | 200 | New (2025) | Visible to coarse in 35 mm, finer in 120; no measured value | GA — 055 / P: ORWO Wolfen NC200 preset |
| GA — 035 | ORWO Wolfen NC500 | ORWO | Color negative | 400 | New (2022) | Coarse, described as the grainiest new color film by one reviewer; no measured value | GA — 035 / P: ORWO Wolfen NC500 preset |