GA — 063 Slide

AgfaCT Precisa 100

Saturated, deep blues, a slight warmth, less vivid greens (reviews)

Manufacturer
AgfaPhoto (Lupus Imaging & Media)
ISO
100
Type
Slide
Process
E-6
Formats
135
Datasheet
AP-F

Status checked [2]

After: beach cabin under storm clouds, with the preset inspired by Agfa CT Precisa 100 (GA — 063 / P) applied (simulation). Before: the same beach cabin under storm clouds, base development without a preset.
fig. 1 · GA — 063 / P · simulation on a digital RAW, not a film scan Drag, tap or use the arrow keys

Character

Contrast
Sources disagree: “a bit contrasty” and “lacks in contrast”
Grain
Diffuse RMS granularity 10.0 (brochure)
Latitude
Up to 5 stops (−2 / +3) claimed for the AgfaPhoto range, not for this film alone
Best for
Daylight slides; cross processing on the original Agfa stock (Kosmo Foto)

Agfa CT Precisa 100 (later AgfaPhoto CTprecisa 100) is an ISO 100 daylight color slide film for E-6 processing, introduced by Agfa in 1998 and discontinued [2]. It is not one film: the original Agfa emulsion is not the same as the last AgfaPhoto version, which several sources say was Fujifilm Provia 100F repackaged [2] [4]. The only manufacturer data we found is a 2007 AgfaPhoto range brochure [1].

Look and color

  • Blues first. Carlos G. Photo describes “amazing and saturated colors, especially blues”, “vivid and deep” [3]. Kosmo Foto, on the original stock, stresses deep blues when the film is cross processed [2] [5], a use this page does not cover.
  • Greens. The same reviewer finds them “more bleached than blues” and says they “lose vibrancy” [3].
  • Warmth. James Cockroft finds “a nice warm character” that “goes a bit red/gold in early morning light” [4].
  • Skin. Carlos G. Photo calls the palette “balanced and true to color” [3].
  • The manufacturer’s words. Agfa is quoted by Kosmo Foto as describing the film as “more exact, more neutral, more differentiated” [2]. The 2007 brochure plots the spectral sensitivity but says nothing about hue [1].
  • Which film was reviewed. Cockroft says his roll was “apparently repackaged Fuji Provia 100F Professional” [4]. Carlos G. Photo says the film was “currently manufactured by FujiFilm” [3]. Kosmo Foto’s sampler shows the original stock, cross processed [5]. The descriptions above therefore mix films, and the darktable style follows the original.

Tonality

  • Curve. On the brochure’s graph, D-min is about 0.15 and the slope is about 1.7 in the midtones (densities 1 to 3), with a plateau near D 4. The three layer curves almost overlap, so no cast is visible in dense areas [1] (our reading of the graph).
  • Contrast: the sources disagree. Cockroft finds the film “a bit contrasty” [4]. Carlos G. Photo says it “lacks in contrast”, yet the scan “retains a lot of information, even in the shadows” [3].
  • Latitude. The brochure says AgfaPhoto films tolerate up to 5 stops of error, 2 under and 3 over, “depending on the film type” [1]. It gives no figure for this film alone, and Carlos G. Photo warns that a slide film needs more careful exposure than a negative [3].
  • Exposure advice. For slide films the brochure recommends stopping down slightly when in doubt, which increases color saturation [1].

Grain and sharpness

Film in the same brochure Diffuse RMS granularity
AgfaPhoto CTprecisa 100 10.0 [1]
AgfaPhoto Vista 100 3.5 [1]
AgfaPhoto Vista 200 4.0 [1]
AgfaPhoto Vista 400 4.5 [1]
AgfaPhoto APS star 200 4.1 [1]
  • All values share the brochure’s reference: diffuse density 1.0 [1]. The brochure calls a smaller value finer grain, so on paper this is the coarsest film of the brochure.
  • Grain: a contradiction. Reviewers speak of “minimum grain” [3] and grain that is “well-controlled” [4], despite the RMS of 10.0. Differences between the brochure’s film types, and between scanning and enlarging, may explain part of it, but no source settles the question.
  • Sharpness. The brochure prints a transfer curve for the film, and we did not read numbers from it [1].

Spectral sensitivity

Each layer peaks at nearly the same level on the brochure’s plot, about 1.4 log: blue near 420 nm with a plateau from about 440 to 460 nm, green near 560 nm and red near 645 nm [1]. Blue and green cross near 497 nm and green and red near 587 nm, both well below the peaks. The plot comes from the 2007 AgfaPhoto brochure, so it describes that film and not necessarily the original Agfa emulsion or the later Provia-based version [1].

fig. 2 · spectral sensitivityAGFA CT PRECISA 100 · DATASHEET AGFAPHOTO AP-F
Spectral sensitivity of Agfa CT Precisa 100, by layerLog spectral sensitivity of the three layers of AgfaPhoto CTprecisa 100, from the AgfaPhoto AP-F range brochure (07/2007). The blue (dashed) curve peaks at 1.39 near 420 nm and stays near 1.25 from 440 to 460 nm; the green (solid) curve peaks at 1.36 near 560 nm; the red (dash-dot) curve peaks at 1.39 near 645 nm. Blue and green cross near 497 nm, green and red near 587 nm, both about 0.3 to 0.55 log below the peaks. 400450500550600650700 10.50 λ (nm) relative sensitivity
Log spectral sensitivity of the three layers of AgfaPhoto CTprecisa 100, from the AgfaPhoto AP-F range brochure (07/2007). The blue (dashed) curve peaks at 1.39 near 420 nm and stays near 1.25 from 440 to 460 nm; the green (solid) curve peaks at 1.36 near 560 nm; the red (dash-dot) curve peaks at 1.39 near 645 nm. Blue and green cross near 497 nm, green and red near 587 nm, both about 0.3 to 0.55 log below the peaks. Each layer is scaled to its own peak. Color styles are tuned from the datasheet and published reviews, then measured; they are not computed from these curves. Source: datasheet p. 6, traced from the vector graph in the PDF.

Datasheet digest

AgfaPhoto Holding GmbH datasheet AP-F, edition 2007-07. Read the datasheet (PDF) on freestylephoto.com A range brochure covering the Vista negatives, APS star 200 and CTprecisa 100, not a datasheet for this film alone. The copy is hosted by the retailer Freestyle. Source: copy hosted by a third party. The Grain Archive does not host datasheets.

Key figures for Agfa CT Precisa 100
ItemValueSource
SpeedISO 100/21°[1]
Diffuse RMS granularity10.0 (density 1.0, 40 µm aperture, 12x enlargement)[1]
Characteristic curveD-min about 0.15; slope about 1.7 in the midtones (D 1 to 3); plateau near D 4; the three curves almost overlap (our reading of the graph)[1]
Spectral sensitivityEqual-energy spectrum, density 1.0 above D-min; peaks near 420 nm (blue), 560 nm (green) and 645 nm (red), see the figure[1]
Exposure latitudeUp to 5 stops (under-exposure up to 2, over-exposure up to 3) for the AgfaPhoto range “depending on the film type”[1]
BaseAcetyl cellulose, about 120 µm (brochure text on AgfaPhoto films in general)[1]
ProcessAP 44/E-6[1]

Names, status and history

  • 1998: Agfa CT100 Precisa. Kosmo Foto dates the launch to 1998, after the CT100 slide films of the 1980s. The original carries the Agfa diamond logo [2].
  • 2004 to 2005: the original ends. Kosmo Foto ties the end to the collapse of Agfa’s film business [2]. Wikipedia records that the operating company AgfaPhoto GmbH filed for insolvency on May 26, 2005 [6].
  • 2006 onward: AgfaPhoto. Lupus Imaging & Media acquired the rights to sell newly developed film under the AgfaPhoto Vista brand [6]. Kosmo Foto reports that Ferrania then made Precisa under license until it closed in 2010, but we found no second source for this [2]. The 2007 brochure lists CTprecisa 100 in 135 with 36 exposures [1].
  • Until about mid-2018: the repackaged film. Kosmo Foto reports a final version sold until mid-2018 that was rebadged Fuji Provia 100F [2]. Cockroft and Carlos G. Photo agree on the Fuji origin [3] [4]. Kosmo Foto says this version turns green when cross processed [2] [5].
  • Now. We found no page from a manufacturer or a current retailer listing the film, and no official discontinuation notice. The status “discontinued, 2018” is reported by a single review site and needs checking.
  • Names. The brochure writes “CTprecisa 100” [1]. Kosmo Foto writes “Agfa CT100 Precisa” and “AgfaPhoto CT100 Precisa” [2].

Also sold as

  • AgfaPhoto CTprecisa 100 (name in the 2007 brochure) (confirmed) [1]
  • Agfa CT100 Precisa (reported) [2]

Alternatives

  • GA — 015 Fujifilm Provia 100F

    Reportedly the emulsion behind the last AgfaPhoto CT Precisa; a neutral ISO 100 slide film

  • GA — 017 Kodak Ektachrome E100

    Another ISO 100 E-6 slide film; the closest one in the collection that is easy to find

  • GA — 038 Fujifilm Velvia 100

    An ISO 100 slide film sold on saturated color, for the deep blues of Precisa pushed further

  • GA — 016 Fujifilm Astia 100F

    An ISO 100 slide film aimed at softer contrast and natural skin

Get the look in darktable

The GA — 063 / P preset, inspired by Agfa CT Precisa 100, is a darktable 5.6 style of 4 native modules, with no LUT. It sits on top of your own exposure and tone mapping.

Measured on test RAW files, CIELab
ZoneMetricBefore → after
skyC (chroma)27.5 → 32.0
seaC (chroma)22.2 → 27.3
skinC (chroma)16.4 → 18.3

Settings, all measurements and limits of the Agfa CT Precisa 100 preset

GA — 063 / P · darktable preset

CT Precisa 100
for darktable

Full pack · 87 presets · yours to keep
.dtstyle file, darktable 5.6 or later

Try the free pack first · What the full pack contains

See real photos

Scans of real Agfa CT Precisa 100 film, published by others:

Questions about Agfa CT Precisa 100

Is Agfa CT Precisa 100 the same as Fuji Provia 100F?

Not always. Several sources say the last AgfaPhoto CT Precisa, sold until about mid-2018, was Fujifilm Provia 100F repackaged. The original Agfa film from 1998 was a different emulsion, and the film made in between under license reportedly came from Ferrania. Which one a roll is depends on when it was sold. [2] [3] [4] [5]

Is Agfa CT Precisa 100 discontinued?

Yes. Kosmo Foto reports that the original Agfa film ended around 2004 to 2005, when Agfa's film business collapsed, and that a final repackaged version was sold until about mid-2018. We found no manufacturer announcement, so the 2018 date is reported, not confirmed. [2]

Does Precisa 100 cross process well?

The original does, according to Kosmo Foto, which cites deep blue skies and rich reds and golds when it is developed as a negative. The repackaged Provia 100F version does not: both Kosmo Foto and one reviewer say it turns green. Cross processing is not simulated by the darktable style. [2] [4] [5]

How fine is the grain of Agfa CT Precisa 100?

The 2007 AgfaPhoto brochure gives a diffuse RMS granularity of 10.0, against 3.5 to 4.5 for the Vista negatives in the same brochure. Reviewers nonetheless describe the grain as minimal or well controlled. The figures are not directly comparable across film types, so treat the gap with care. [1] [3] [4]

What ISO and process does Agfa CT Precisa 100 use?

It is an ISO 100/21° daylight slide film, processed in E-6 chemistry. The AgfaPhoto brochure lists it in 135 with 36 exposures. Reviewers report that it was sold in 35 mm through Lomography stores and online retailers. We found no medium format or sheet version. [1] [3]

Sources

  1. 1DS AgfaPhoto Technical Data Sheet AP-F, Range of AgfaPhoto standard films (07/2007), copy hosted by Freestyle Photo
  2. 2C Kosmo Foto: Agfa CT100 Precisa, the holy grail for cross processing? (Kosmopedia, September 2018) Accessed September 30, 2026.
  3. 3C Carlos G. Photo: AgfaPhoto CT Precisa 100 (February 20, 2018) Accessed September 30, 2026.
  4. 4C James Cockroft: Morning walk, a brief Agfa Precisa 100 CT review (January 12, 2018) Accessed September 30, 2026.
  5. 5C Kosmo Foto: Agfa CT100 Precisa sampler (April 2017) Accessed September 30, 2026.
  6. 6C Wikipedia: AgfaPhoto Accessed September 30, 2026.

DS: datasheet · C: review or community