GA — 070 Color negative

AgfaVista 400

Warm cast, saturated yet muted, according to one review

Manufacturer
Agfa-Gevaert (2003 datasheet); AgfaPhoto under license (later stock)
ISO
400
Type
Color negative
Process
C-41
Formats
135
Datasheet
F-AF-E6

Also known as AgfaPhoto Vista Plus 400 (rename, reported [3]).

Status checked [2]

After: beach cabin under storm clouds, with the preset inspired by Agfa Vista 400 (GA — 070 / P) applied (simulation). Before: the same beach cabin under storm clouds, base development without a preset.
fig. 1 · GA — 070 / P · simulation on a digital RAW, not a film scan Drag, tap or use the arrow keys

Character

Contrast
Somewhat muted in reviews of the later stock
Grain
RMS granularity 4.5 (Agfa, 2003); reviews call it heavy for ISO 400
Latitude
−1 to +4 f-stops (Agfa, 2003)
Best for
Street and colorful scenes, not portraits (one review)

Agfa Vista 400 was an ISO 400 consumer color negative film for C-41 processing, made by Agfa-Gevaert and listed in the company’s May 2003 brochure in 135-12, 135-24+3 and 135-36 cartridges [1]. The name outlived Agfa’s own film: after AgfaPhoto GmbH failed in 2005, Lupus Imaging & Media sold AgfaPhoto Vista Plus 400, which is widely believed to have been made by Fujifilm. That stock was reported discontinued in March 2018 [2]. Most reviews describe the later stock, not the 2003 film.

Look and color

The datasheet and most reviews cover different products, so read this section with that in mind. Agfa’s only color claim is technical: its “EYE VISION” sensitization matches the film’s response more closely to the eye [1]. That is a marketing argument, not a measurement.

  • Saturated but muted. Casual Photophile describes a neo-vintage look that is “both pastel and saturated”: “Greens and blues are rich and deep, while reds and yellows tend to be bright without being overbearing” [3]. Jim Grey, shooting an expired roll of the original Agfacolor Vista 400, found “true” colors that looked “slightly oversaturated”, a palette “different from the Kodak and Fuji stocks” [4].
  • Warmer than most films. Casual Photophile reports an overall warm cast [3].
  • Skin tones are a weak point. The same review says skin comes out inaccurate because the film is more sensitive to red light than portrait films, and that overexposure softens the effect [3].
  • The stock matters. Jim Grey’s roll was expired and stored frozen, and he calls any Agfacolor Vista 400 today expired [4]. No review separates the film from its age, batch or scan.

Tonality

  • Contrast. Casual Photophile calls the images “somewhat muted”, with an aged look from the moment they leave the camera [3]. Jim Grey found neutrals and blacks rendered well in some frames [4]. The brochure plots density curves for the three layers, but we have not read numbers from them.
  • Latitude. Agfa gives −1 to +4 f-stops, half a stop more on the overexposure side than the Vista 200 [1].
  • Underexposure. Jim Grey shot at box speed and got frames “from slightly to very underexposed”, and planned to rate the last roll at ISO 200. The film was expired, so this says more about age than about the 2003 latitude [4].

Grain and sharpness

Agfa rates grain with RMS granularity (×1000), a measured value, and does not use Kodak’s Print Grain Index; the two scales cannot be compared [1].

Film (Agfa brochure, 2003) RMS granularity
Agfa Ultra 100 3.8 [1]
Agfa Vista 100 4.0 [1]
Agfa Vista 200 4.3 [1]
Agfa Vista 400 4.5 [1]
Agfa Vista 800 5.0 [1]
  • Resolving power is 130 lines/mm at contrast 1000:1 and 45 lines/mm at 1.6:1 [1], against 50 lines/mm at 1.6:1 for the Vista 200 [1].
  • Reviews disagree about the later stock. Casual Photophile calls it not a sharp film and says the “heavy grain of 400 speed film remains a very real issue” for enlargements [3]. A Lomography user review reportedly calls the grain “surprisingly fine”; we saw only a search-result extract, not the page. Jim Grey noticed grain in some frames of the expired roll [4].

Spectral sensitivity

The blue-sensitive layer holds a plateau near 2.0 log from about 415 to 470 nm and peaks at 471 nm, the green layer peaks near 550 nm and the red layer near 616 nm with a shoulder around 648 nm [1]. Blue and green cross near 496 nm and green and red near 580 nm. The Grain Archive style is tuned from the datasheet and the reviews; it is not computed from these curves.

fig. 2 · spectral sensitivityAGFA VISTA 400 · DATASHEET AGFA F-AF-E6
Spectral sensitivity of Agfa Vista 400, by layerLog spectral sensitivity of the three layers of Agfa Vista 400, from the Agfa F-AF-E6 brochure (2003). The blue (dashed) curve holds a plateau near 2.0 from about 415 to 470 nm and peaks at 2.09 near 471 nm; the green (solid) curve peaks at 1.82 near 550 nm; the red (dash-dot) curve peaks at 1.76 near 616 nm with a shoulder near 648 nm. Blue and green cross near 496 nm, green and red near 580 nm. The green layer also shows a separate low lobe near 405 nm. 400450500550600650700 10.50 λ (nm) relative sensitivity
Log spectral sensitivity of the three layers of Agfa Vista 400, from the Agfa F-AF-E6 brochure (2003). The blue (dashed) curve holds a plateau near 2.0 from about 415 to 470 nm and peaks at 2.09 near 471 nm; the green (solid) curve peaks at 1.82 near 550 nm; the red (dash-dot) curve peaks at 1.76 near 616 nm with a shoulder near 648 nm. Blue and green cross near 496 nm, green and red near 580 nm. The green layer also shows a separate low lobe near 405 nm. Each layer is scaled to its own peak. Color styles are tuned from the datasheet and published reviews, then measured; they are not computed from these curves. Source: datasheet p. 5, traced from the vector graph in the PDF.

Datasheet digest

Agfa-Gevaert datasheet F-AF-E6, edition 2003-05 (6th edition, 20.05.2003; one brochure for the whole Agfa standard range). Read the datasheet (PDF) on 125px.com Third-party copy of the Agfa brochure; no manufacturer-hosted version found Source: copy hosted by a third party. The Grain Archive does not host datasheets.

Key figures for Agfa Vista 400
ItemValueSource
ISO speedISO 400/27°[1]
Granularity (RMS, ×1000)4.5 (Vista 100: 4.0; Vista 200: 4.3; Vista 800: 5.0; Ultra 100: 3.8)[1]
Resolving power130 lines/mm at contrast 1000:1; 45 lines/mm at contrast 1.6:1[1]
Exposure latitude−1 to +4 f-stops[1]
Layer thickness19 µm[1]
Film baseAcetyl cellulose, 120 µm in 35 mm films[1]
ProcessAP 70 / C-41[1]
MarkingsMargin marks AGFA VISTA 400-C; negative code 113-13; 3 red triangles[1]

Names, status and history

  • Agfa-Gevaert era. The 2003 brochure lists Vista 100, 200, 400 and 800. Vista 400 came in 135 cartridges of 12, 24+3 and 36 frames [1].
  • AgfaPhoto Vista Plus 400. Since 2005, Lupus Imaging & Media distributed the Vista films, and DPReview writes that Fujifilm is widely believed to have made them [2]. Casual Photophile’s 2016 profile is of this stock, which it says was sold in British Poundland stores for £1 and is commonly thought to be repackaged Superia [3].
  • Fuji Superia X-tra 400: reported, not confirmed. Jim Grey writes that the newer Vista 400 was a rebranded Superia X-tra 400 and that the original Agfa emulsion carries Agfacolor branding [4]. We found no statement from Fujifilm or Lupus. Casual Photophile, discussing the Vista line in 2018, writes that Vista was, “nearest we can tell”, Fuji C200 [5]: sources point to different Fuji films.
  • Discontinuation (2018). DPReview reported on March 12, 2018 that Vista was no longer made, with ISO 200 and 400 still on sale from specialist retailers but expected to run out [2].
  • Availability now. We found no current listing. Any roll you find is old stock.

Also sold as

  • Fujifilm Superia X-tra 400 (reported source of the later stock; not confirmed by Fujifilm or Lupus) (reported) [4]

Alternatives

  • GA — 056 Agfa Vista 200

    Same 2003 brochure, one stop slower: RMS 4.3 against 4.5 and a latitude of −1½ to +3½ f-stops against −1 to +4

  • GA — 010 Fujifilm Superia X-TRA 400

    Reportedly the film sold as Vista 400 in its later years, according to Jim Grey; not confirmed by Fujifilm or Lupus

  • GA — 009 Kodak UltraMax 400

    Same speed and consumer positioning: a Kodak consumer 400 color negative

  • GA — 057 Konica Centuria 400

    Another ISO 400 consumer color negative from the same period

  • GA — 004 Kodak Portra 400

    The professional alternative that a reviewer contrasts with Vista 400's grain and skin rendering

Get the look in darktable

The GA — 070 / P preset, inspired by Agfa Vista 400, is a darktable 5.6 style of 5 native modules, with no LUT. It sits on top of your own exposure and tone mapping.

Measured on test RAW files, CIELab
ZoneMetricBefore → after
skyC (chroma)27.5 → 31.8
seaC (chroma)22.2 → 25.3
skinC (chroma)16.4 → 23.6

Settings, all measurements and limits of the Agfa Vista 400 preset

GA — 070 / P · darktable preset

Vista 400
for darktable

Full pack · 87 presets · yours to keep
.dtstyle file, darktable 5.6 or later

Try the free pack first · What the full pack contains

See real photos

Scans of real Agfa Vista 400 film, published by others:

Questions about Agfa Vista 400

Is Agfa Vista 400 discontinued?

Yes. DPReview reported on March 12, 2018, citing Japan Camera Hunter, that Agfa Vista color negative film was no longer made and stock was drying up worldwide. The 2003 Agfa-Gevaert film had left the market earlier: the AgfaPhoto-branded Vista sold up to 2018 was, reportedly, made by Fujifilm. Any roll you find now is old stock.

Is Agfa Vista 400 the same as Fuji Superia X-tra 400?

Reportedly, for the later stock. Jim Grey writes that the newer Vista 400 was a rebranded Superia X-tra 400, and Casual Photophile notes a common belief that it was repackaged Superia. Neither Fujifilm nor the distributor confirmed it. The 2003 Agfa-Gevaert Vista 400 in the brochure is a different, earlier product.

Is Agfa Vista 400 grainy?

Agfa gave it an RMS granularity of 4.5 in 2003, between Vista 200 at 4.3 and Vista 800 at 5.0. Casual Photophile calls the grain of the later AgfaPhoto stock a very real issue for enlargements, while Jim Grey saw it in some frames of an expired original roll. RMS cannot be compared with Kodak's Print Grain Index.

Is Agfa Vista 400 good for portraits?

One review says no: Casual Photophile writes that skin tones come out inaccurate because of a stronger red sensitivity than portrait films have, and suggests overexposing to soften the effect. It recommends the later AgfaPhoto stock for street and colorful urban scenes instead. That is one reviewer's opinion of a later, related film.

What ISO should I shoot Agfa Vista 400 at?

Box speed is ISO 400, and Agfa's 2003 brochure gives a latitude of −1 to +4 f-stops. Jim Grey shot an expired original roll at box speed and got frames from slightly to very underexposed, then planned to rate the next roll at 200. That is one photographer's experience with aged film, not a specification.

Sources

  1. 1DS Agfa-Gevaert, Technical Data: Range of Agfa standard films, F-AF-E6 (6th edition, May 2003), third-party copy
  2. 2C DPReview: Report: Agfa Vista film is no more, stock drying up world-wide (March 12, 2018, after Japan Camera Hunter) Accessed September 30, 2026.
  3. 3C Casual Photophile: AgfaPhoto Vista Plus 400, film profile (December 27, 2016) Accessed September 30, 2026.
  4. 4C Down the Road: First roll impressions, Agfa Agfacolor Vista 400 (Jim Grey, March 7, 2022) Accessed September 30, 2026.
  5. 5C Casual Photophile: Agfa Vista was more than just another color film (Jeb Inge, March 16, 2018) Accessed September 30, 2026.

DS: datasheet · C: review or community